TOUCHABLY SOFT: THE CRITIC COMMENTS ON THE  WORK RACKETY BOOM 

by Jon Thrower 

Both snow and summer  

But not both, or but. 

“Certainly not both or but, their initial tone is disenchanting. And  though both is inclusive, the hard aural drum of the b pushes  apart, assures exclusivity. As with the meaning of but, which is  born to differentiate and divide. A word with two hard doors on  either end.  

Of course, Not is only soft at the front gate. Odd perhaps how the  hard angles of the letter N become so lithe in the mouth. But Not,  with its exclusive tight cinch at the end, discouraging as its  diction, touchable, initially, like lamb but ultimately harsh and  cruel as it slams some tiny little door.  

Or, though, or! Or could compete with soft and summer alike in  the contest of ease, in the competition of the fleshy and the genial.  Or is hardly stout enough to move water at all. Or is just the  suggestion of a cell wall between two things that always threaten  to seep through to touch tendrils in some quaint embrace. Or is a  better name for eyelid. Or is a poured cup of broth. Or is a  synonym of sway.”