REYKJAVÍK, TENTH OF MARCH 

by Amelia Loeffler 

In the dying light of a cold day, the codfish  flails in dry air, patina scales winking,  

wide eyes unblinking, as a fisherman curls  his finger under its gill plate and retrieves  a barbed hook from the open mouth.  

Four time zones away, two thoroughbreds  canter in their paddock, and the earthworms,  mistaking the hammering of hoofbeats for  pattering rain against the topsoil, surface  into the hard-packed, sun-parched dirt.  

By the sea, the fisherman drops his cod onto  the wharf, where the day’s catch lies in a  whorl of silvery shimmer like links of coiled  chain at his feet and there, the fish writhes;  a dying worm on hot asphalt.  

At the same time, in a Kentucky pasture,  the smaller of the two horses, a friend’s bay,  Dead Ringer, collapses into the yellowing  pasture, knees bent at a wrong angle, mouth  open like that of an unhooked fish, gasping.  

From a bench on the wharf, I watch while

the fisherman uses a stone to deal the cod three  blows to the head, percussive like hooves across  packed dirt. The stunned fish goes still. I get a call,  back home, the horse is dead, heart failure.